The Lads and Ladies of Literature Tell You How to Look Younger

 Here's the latest submission to The Gloss:

Dear Consultitory  Characters, I have a high school reunion coming up and I am desperately trying to look younger. I thought, who better to advise me about looks than people who, due to their fictional status, never had any? So what should I do?

Dorian Gray (The Portrait of Dorian Gray): I’m a firm believer in the power of paint in maintaining youth. By which, of course, I mean make up. Lots and lots of make-up. Nothing screams youth like a wrinkle-free face- so paint on a mask and I promise you, it’ll be just like you never got older at all.

Humbert Humbert (Lolita): I think its deliciously admirable that more and more women are trying to emulate the sweet nymphyness of youth. Rompers, pigtails, short denim shorts to display your long, suntanned legs and your scraped knees. That is what I call dressing to impress.

Frankenstein (Frankenstein): A couple of hops under the knife never hurt anybody…. much

Blanche DuBois: Here’s what you do: take a lemon, squeeze half into a bowl with yogurt. Smear onto face. Take the other half of the lemon. Squeeze into a glass of straight vodka. Drink. Repeat.

Phantom (The Phantom of the Opera): Eye circles? No problem! Just slip into a (literal) eye mask and its like they were never even there.

Bridget Jones(Bridget Jones’ Diary): They say gaining a little weight fills your face out and makes you look younger again. It’s true. They say that. They do.

Jane Eyre (Jane Eyre): Just always walk around with your eyes open really wide to express your youthful naïveté and people will just assume that the old blind guy you’re with is your father and you yourself are as perky as a puppy.

 Lindo Jong (The Joy Luck Club): Green Tea. Drink, and it will make you glow. Also, shrinks under eye bags when applied topically.

Emma (Emma): A corset works wonders for a woman pursuing a nubile young figure. Or, you know, spanx.

Isabella (Measure for Measure)*: No alcohol. No sugar. No smoking or promiscuous sex. If you think you might like it at all, it will age you terribly.

It stands to reason that many people might have missed this one in deference to some of Shakespeare’s more popular plays, so let me fill you in; Isabella is a woman who is joining a convent, but is worried that the 16^th century’s nuns’ rules won’t be strict enough. Aka, she is the dweebiest dweeb who ever did dweeb. In case you were wondering.

Books Celebrities Might Have Misread

CHRIS BROWN misread A CLOCKWORK ORANGE as an accurate depiction of acceptable ways to behave in society

OJ SIMPSON misread IN COLD BLOOD as a how-to manual

TAYLOR SWIFT misread the ending of ROMEO AND JULIET

THOUSANDS OF AMERICANS mis(heard) THE WAR OF THE WORLDS as the TRUTH. Run!

CHARLIE SHEEN misread THE NEW TESTAMENT as his own biography

GLENN BECK misread FAHRENHEIT 451 as a decent proposal

BRITNEY SPEARS misread GONE WITH THE WIND as a marriage guide

JUSTIN BEIBER misread ANIMAL FARM as a cool book about pets!

WALT DISNEY misread MOST FAIRYTALES. Perhaps fortunately for the psyches of children everywhere.

KE$HA misread THE GRAPES OF WRATH as a fashion magazine

LINDSEY LOHAN misread ALICE’S ADVENTURES IN WONDERLAND as a reasonable allegory for your average night out

LEANN RHIMES/ TIGER WOODS/ JESSE JAMES misread THE SCARLETT LETTER as being about an “actress”

What You CanTell About Characters By Their Clothing Descriptions

And rolling on with the brief interlude of a fashion theme, here's what the types of clothing a character's wearing on his or her introduction can generally suggest about their role in the story:

1) "Neat," "crisp," or "well cared for" attire: Pretty much the same assumptions you would make about anyone who is snappily dressed in real life; this person is professional, efficient, and pragmatic. If it is a man, he's probably a bit of a prat. This person is very focused on the day to day and keeping things under control. Case in point: Watson (Sherlock Holmes books)

2) Fashionable man: Also known as a dandy or a fop. This man is t.r.o.u.b.le. He'll probably have a gambling problem, or harass random girls. Or have a secret painting stashed in his attic through which he ages vicariously. Watch out. Case in Point: Dorian Grey (The Portrait of Dorian Grey)

3) Fashionable lady: Either the protagonist, the protagonist's best friend, or the villian. If the fashionableness is showy, like Miranda Priestly or Anne Boleyn, she's a villian. If its tasteful, she's probably more of a good guy. She probably has a high opinion of herself, in any case. Case in Point: Emma (Emma)

4) Messy man: Probably some one either you or the protagonist will fall in love with. He's probably intellectual. Probably complicated. Probably romantic. Case in Point: Sydney Carton (A Tale of Two Cities)

5) Anything "nondescript": CRAZY MOTHER ^%*&#*(!!!!! This person is either an assassin or a serial killer or undercover royalty. Maybe he or she is a witch or a god. The point is, anyone you're "not supposed to notice," you absolutely, absolutely ARE. Case in Point: Dr. H. H. Holmes (The Devil in the White City)

Bottom Five Trends from Your Literary Friends

Dracula: (Dracula) Scarves. A woman’s neck is so incredibly… appealing. Why would you ever want to cover that up?

Hester Prynne: (The Scarlett Letter) Initial necklaces. Hester is NOT a fan of identifying yourself via a single letter worn over your clothing. No need to label.

Viola: (Twelfth Night) Menswear. Dressing up as a man can have consequences. Deeply confusing consequences. Avoid it at all costs- unless you want to end up with a guy that won’t look twice at you and a girl that REFUSES to take the damn hint.

Yossarian: (Catch-22) Military Jackets. You do realize that the army’s a real thing , right? And there are a lot of deeply embedded, often hilarious problems with it. Seeing a bunch of teenagers dressed up like colonels fiddling around at the mall is just weird.

Holden Caulfield: (The Catcher in the Rye) Writing F#%$ You across your fingernails. That’s messed up. Kids can see that. WHAT IS THE WORLD COMING TO?

Top Five Trends from your Literary Friends

And on that note...

Holly Golightly: (Breakfast at Tiffany’s)  The little black dress. Timeless. Classic. Perfect for accessorizing with some Ray Bans or, more importantly, jewelry. Bracelets, necklaces, earrings, brooches… and one amazing store carries it all- Zales. Hahaha, jk- go grab a croissant or something at Tiff.’s

Humbert Humbert: (Lolita) Rompers. There’s something so enchantingly alluring about a woman who embraces her childish side.

Daisy Buchanan:  (The Great Gatsby)minidresses. Drop waists, sequins, beading. The glamour of the twenties is back, and though Daisy might be a bit more demure herself, her world is filled with all those glamoured up creatures called flappers, and she is all about the class. Specifically the upper-class.

Anne Shirley: (Anne of Green Gables) Structured jackets. Why, they’re almost like a modern-day puffed sleeves! And Anne Shirley Fucking. Loves. Puffed. Sleeves.

Cruella de Vil: (The Hundred and One Dalmations)* Fur coats. Real fur. None of this faux crap. The more exotic, the better.

Fashion Advice from Fake People

The Gloss recently asked me to do a piece offering fashion advice from some literary celebrities. I live to serve:

The world of fashion is can be troubling; are tea-length skirts ultra-fashionable, or do they just exist to make your calves look fat? Does a romper say “fun and free-spirited” or “I like to take 20 minutes to go to the bathroom?” Sometimes, the rules of fashion seem self-contradictory, and sometimes, it seems like people are just making things up. In that spirit, who better than a fictional character to answer these fanciful questions? Here, we turn to some of the leading ladies of the literary tradition for their takes on the stylish debacles we face every day.

Dear Literary Ladies, I’m going to have lunch with my ex this weekend and I need to wear something impressive- something guaranteed to win him back. Help! What should I do?

Lady Augusta Bracknell: (The Importance of Being Earnest)

There is nothing so vulgar in the world as the new fashion called “jeggings.” It is an abysmal state of affairs when a garment can be dishonest as well unattractive. A thorough abomination. Therefore, my dear, you simply have no choice but to wear them on your date. It is a well acknowledged fact that there is nothing so attractive to a man as a display of utter tastelessness. How else can you account for the popularity of that Kim Kardashio? Any half-way respectable man will always endeavor to earn the respect of his peers through the garishness of his wife’s clothes. Debase yourself you must, if you want to win him back, and what better way to do it then with deceitful elastic legwear? Then it is only natural to later use his credit card to reward yourself with a scandalously elegant hat.

Scarlett O’Hara: (Gone With the Wind) Take it from someone who’s had three husbands and all sorts of beaux: You don’t need to be beautiful to attract a man. I never claimed I was. In fact, it’s the God’s honest truth that I’m not. But you know what I do have? A dress that “set off to perfection the seventeen-inch waist, the smallest in three counties, and the tightly fitting basque showed breasts well matured for sixteen years.” So there you go. Cinch cinch cinch. If you want that man to fall in love, you find a dress that makes your waist look small and your breasts “well developed.” I’m inclined to favor a whalebone corset, but it seems that fashion today has adopted a ridiculous bias toward clothes that actually allow a woman to inhale. So I suppose a tight little leather belt around your dress will have to do. That and one of those “miracle bras.”

Miranda Priestly: (The Devil Wears Prada) Wear something with class. Like a scarf by Hermes. Silk. Not one of those knobbly woolen abominations. You’ll look like a cheap turkey with a thyroid problem. Wear that thing I saw that one time, at that show. If you want a man to love you, you have to dress like you deserve to be loved. And for God’s sakes don’t wear flats.

What Are the Kids Reading These Days?

I was thinking today about uber-young readers, and the sort of genres that have sprang up within that group. I'm not talking about sports stories or little romances that aren't age specific. There are certain types of books that are for some reason almost exclusively aimed at the 10-14 crowd.

Here’s why the Babysitters Club is a big hit with the middle school set; it strikes home. Ditto books about school or parents. When you regularly spend your Friday nights watching a six-year-old launch GI Joe dolls off of the couch and into his own eye, you want to feel like there is some sort of status that comes from doing this. Enter The Club. So tweens want to read these books about people "just like them", and no one else does. But books  for junior readers have clustered around a number of other genres and theme genres as well, sometimes surprisingly specific.

First of all, there’s fantasy. It isn’t a mystery why kids read fantasy- it’s awesome.; full of adventure and love and danger and silly-looking creatures. Harry Potter is obviously the quintessential magic book, but true nerds will also fondly look back upon the Redwall series, books by Tamora Pierce and the Half Magic series. The latest ones are called The Olympians by Rick Riordan. I was reading them aloud to a boy I myself was doing a little nannying for for some extra cash, and I’m not gonna lie here… I literally bought the last few books in the series after the job was over because I neeeeeded to know if they destroy the evil titans! (I told the cashier it was a present for my nephew. The one I do not have.) What is weird about fantasy though is that lately (i.e. since Tolkien) it has been almost exclusively for children. Science fiction isn’t like this. We have Brave New World, The Hitchhiker’s Guide to the Galaxy, Dune, and Ray Bradbury in general.  But not so much with fantasy. I really don’t know why.

Now here’s a really weird, specific genre that bizarrely seems to come out for kids in about fourth grade: Books chronicling the lives of Jewish people hiding in Nazi Germany (or Nazi occupied Europe). Besides  The Diary of Anne Frank there was Number the Stars and Behind the Bedroom Wall. There were many others. I read so many of these stories that I remember spending years of my childhood narrowly evaluating every cranny and crevice, nodding sagely to myself and thinking that would be a good place to hide Jews. I even had specific Jews in mind- family friends to be stowed away in the back part of the coat closet, classmates to be hustled into the attic. Kathy likes dogs I would think maybe if we kept her under the house we could sneak a dog down to keep her company. In retrospect, of course, I am appalled, but to my nine year-old brain,  safety was the priority, and the danger was angry German Nazis. For the longest time, I could NOT understand the prevalence of the genre but I’ve come to realize that as far as historical fiction goes, WWII is perfect for this age group. They can have very clear “good guys” and “bad guys” and they don’t have to examine the nuances of the war or even the ideals behind it. This is no American revolution; it is straightforward hide/ escape or be killed. And kids can definitely get that.

Another genre that seemed to come out of left field is the absolute epidemic of books about horses. Wild horses, racing horses, the relationship between wide –eyed, blond, precious American children and their horses. The high point was The Black Stallion and the low point was probably some story about a horse escaping his pen and running across the country to be there for his owner’s birthday. I , personally, hated The Red Pony, but you can’t keep a literary blog and cite Steinbeck as a low point of anything, especially a subgenre with protagonists with names like thunderbolt. Why are horse books so cultishly  followed by tweeners? Who knows! Why not dogs or rabbits or eagles? Maybe it’s the glamour of associating horses with historical royalty and knights and cowboys, but they definitely have a fanclub.

The last trend I remember defining my young literary life was an obsession with books written as diaries of historical people- usually princesses, and usually hardbound only with little satin ribbons and gilt-edged pages, so that the producers could charge some erroneous amount for about 20 poorly written pages. But we longed for them. There was a book for Cleopatra, Anastasia, Marie Antoinette… naturally leaving out all the unsavory bits (i.e. almost all accuracy). I do have to admit that I loved reading them, though, and they definitely sparked an interest in reading and in learning about (the good parts) of history. And really, what more can you ask?